Selling Your Books In Bulk
Posted on Dec 13, 2008 06:57:45 PM
Have you ever dreamed of selling your book to a large corporation? A sale that would register several thousand copies of non-returnable product on the book sale meter? What’s that? You’ve never thought of it, you say? Well, never fear! It’s not too late to pursue this avenue, especially if you have a book ripe for a particular market.
Before you embark on this project, it’s important to understand the possibilities out there. Start being aware of incentive items you might see and understand how they are used. Many are offered as consumer gifts or incentives while others are used as training tools or morale boosters for employees.
Some examples of premium sales might be:
• Books offered at yearly company sales meetings
• Books offered to consumers at a discount (consumers are usually asked to send in product UPC’s to qualify for these specials)
• Books offered to new customers at financial institutions
• Books offered to new home buyers
• Books offered to new magazine subscribers
To determine the market segment you want to go after, study your book first for obvious clues. If you’ve mentioned or recommended companies or products in your book, those will be the first tier you’ll want to go after. Next, think about the message of your book and how it aligns with particular companies within that industry. Company web sites and ads will offer great clues when trying to match a company or organization up with your book.
If you’re going after the magazine subscriber bonus segment, you’ll have a bit more flexibility. Generally, if the book fits the reader demographic and aligns itself with the message of the magazine, it will be considered. For example, you might offer a home organization book to Good Housekeeping or a fitness book to Self or Redbook. Before you approach these magazines, read them for about three months so you get a good sense of what they’re about and who their audience is.
If you’re going after a particular market and are trying to locate companies within that industry, try doing a Boolean search in Google. Your search should look like this: “your industry and companies.” Another resource is .thomasregister.com. This site will link you to companies nationally and internationally within your industry.
Next, don’t overlook companies in your own backyard. Think about industries, companies and organizations in your area that might work well for your book and begin going after them. Many times, local companies will welcome the opportunity to support hometown authors.
Once you’ve put your list together, you’ll want to contact them and pitch them the idea. Or, in some cases, our company will send them the book and proposal before we even make phone contact. Sometimes the companies you’ve targeted will be on the lookout for incentive items, other times this will be a new (and exciting) area for them. If you’re going after employee incentives, it’s interesting to note (and mention in your sales letter) that employee incentives increase individual performance by 27 percent and team performance by 45 percent.
Be open and creative with your pursuit of premium sales! Many times, companies will want to put their logo on the cover or include an extra page in the book with a letter from the President or CEO. Check with your printer or publisher on whether this is possible for you and what the additional costs will be before you start pursuing the premium sales arena.
So, how long does this process take? We’ve seen premium sales turn around in a week, while others take a year or more to complete. Oh, and the most important part… how many books can you plan to sell? Anywhere from one thousand to several thousand depending on the deal and the company. We’ve even got a deal in the works for a half a million copies of one book.
Discounts and negotiations vary. Often, we’ll negotiate volume discounts of 50 percent to 70 percent on bulk orders. Again, make sure you’ve got these figures ready when you pick up the phone to make your pitch.
With the right book, premium sales are not only a great way to gain exposure of your book, but in the end, they make great “cents.”
Why Publish Your Writing In A Printed Book?
Posted on Nov 17, 2008 02:44:01 PM
Why would anyone want to create a printed book, when then can create eBooks a lot more easily — and cheaply? Why would anyone want to get mired in the process of printing and shipping physical books that take time to deliver to customers, when they can deliver a digital information product immediately, with no additional production or shipping costs? What’s the point of having a tree-killing artifact of yesteryear in your creative portfolio?
Well, like it or not, a lot of people still prefer printed books to eBooks. They like — no, they love — the feel of a printed copy in their hands. It gives them a sense of well-being and solidity, to have a physical work they can carry with them and put on their bookshelves. They’re “old school” and they like it that way. Or, they just never warmed up to eBooks or digital media.
I had a conversation with an international television reporter about one of my books that was coming out soon — I didn’t yet have the printed version in my hands, but I had a PDF eBook I could send him. He said many times over that he hated to read eBooks, but that was all I had at the time, and so I sent it to him. It would have been a whole lot better if I could have sent him a printed copy, instead. Of course, I made do with what I had, but if only…
Now, there’s a very good reason some people like printed books better than eBooks — they can read them anywhere, anytime, without needing a computer to do it. For all the talk about “portable media,” these days, a book is really the ultimate in portable media! It fits in your hand, it doesn’t require batteries, and there are no complicated instructions to figure out! As advanced as our technology may be, there’s nothing like a book to truly “transport information” quickly and efficiently, across the bounds of time and space.
Ironic, isn’t it, that the ultimate medium for portable, instantaneous information sharing is just the thing that a lot of us thought was on its way out, with the advent of the internet!
Books are not “reserved” for the technologically gifted. They’re not available only to people with a computer and a broadband connection. They’re easy to use, easy to transport, and — unlike some of the cutting-edge entertainment technology available today — everybody understands what they’re all about.
When you publish a printed book, you level the playing field for potential customers, and you make it possible for a wider variety of people to access and enjoy your work.
Another reason to create a printed book, is for credibility. With a printed book in hand — especially one with an ISBN — you can approach magazines and newspapers and radio and television hosts and have something in hand to talk about with them. You can mail your book to reviewers and reporters, and you can hold up your creation for the camera, when it comes time to tell the audience what all the excitement is about. And when members of your audience go to their local bookstore to see if they carry your book (depending on what service you use to publish your book), they can put in a request for the book from the bookstore, and potentially help you get it stocked on the bookshelf stores. (Though you may already be convinced, like many other infopreneurs, that bookstores are not the place to sell books, still, it doesn’t hurt to see your book on the shelves of a brick-and-mortar store.)
Probably my favorite reason to publish in print, is how it can take your ideas to a whole new level and get you the kind of exposure once reserved only for the connected elite. Having a book in print has a way of instantly establishing you as an expert, in ways that producing (even getting rich from) digital information products can’t, in the “real world” offline. When people hear you’ve written a book, and they see that book in your hands, a connection kicks in, somewhere inside their heads, that says you must be pretty smart. Chances are, it’s true — you are! But the perception of others that you must be one smart cookie, since you’ve written this book, usually doesn’t get so far as to delve into the nature of your book, if it’s any “good,” or if your work is widely accepted and respected in academic or commercial circles.
Everyday folks have an innate respect for people who can write down enough coherent thought, and organize it completely enough, to produce a book. An awful lot of people never get that far. Some may think about it, but never do it. As a published author, as far as a lot of folks are concerned, you’re in a league of your own. And that’s a pretty good feeling!
I’ve gotten a bit of practice having that feeling. To my friends and family, I’m “just Kay” and that’s fine with me. All that fame business just kind of gets in the way, when it comes to my personal relationships. But to people who read the international press in the areas I publish in (technology and cross-cultural concerns), I have a somewhat different persona — I’m a published author who has caught the attention of folks from Asia and Europe with a controversial and rabble-rousing work that hit the presses in the fall of 2006. It’s pretty cool, to come across people from far away, who have read reviews of my books in magazines and newspapers I’ve never heard of. And I’ve got some pretty cool clippings of articles that mention me — and my book — exclusively, or in passing. That was all possible, because I published a printed book. It doesn’t matter that I have eBook versions of my works available for instant download. Most of the time, that’s not even on the radar of the mainstream international press. In fact, if anything, they kind of turn up their noses when I mention my eBook. But my printed version of that same book… well, that’s another story.
Publishing a printed book widens the reach of your ideas in ways that digital media can’t quite do. You open up your ideas to a whole different audience, and you get the chance to make even more of an impact with your concepts and your unique “take” on the world… taking a position of true thought leadership in a hurting world that’s sorely in need of fresh, new ideas. In fact, now is really the perfect time to be stepping out as a innovative new author in the print publishing world. The old formulas and the old ways of seeing the world and talking about it and conceptualizing it and relating to it, are pretty tired and worn out. We need fresh new ideas, brilliant new insights, and innovative ways of thinking about our world. You may have distilled everything you know and popped it into an eBook, but the print world offers you yet another medium (or “channel,” if you prefer marketing lingo) for your ideas.
My favorite reason of all for publishing a printed book, is the profound satisfaction that comes from holding a real, honest-to-goodness tangible book in your hands. I’ve been a book reader for over 30 years, and I’ve never lost my love for the sight of words on a printed page. All the better, when those words are mine! Some would call it vanity, but I call it doing my talents justice… and having something to show for all my work, all those live-long years of writing, writing, and writing some more, against all odds, hope against hope. I’m a very tactile person, when it comes to words, too, so I like to have something to hang onto. Digital is great — it’s my medium of choice, these days — but I can’t flip through the pages of a PDF quite the same way I can thumb through a book.
It really is an incredibly exciting time to be a writer and independent publisher! I’m so deeply grateful to have been born at this point in history, with my love of language and books — and the ability to put that love into manifest product. The possibilities really are endless… provided, of course, you know how to explore them. And that’s what this guide is about — getting you, an infopreneur or digital product creator, the tools and the skills and the orientation you need, to turn your digital content into print format, so you can reach a wider audience and more firmly establish yourself in your own niche of thought leadership.
The Secrets To Marketing Fiction
Posted on Nov 12, 2008 02:30:13 PM
When my first book (The Cliffhanger) was published nearly seven years ago, I had high hopes of its success. I mean I am, after all, a PR person &ndash so how hard could it be to market fiction? Granted, up till that point I hadn’t taken on a lot of fiction &ndash well, to be honest I hadn’t taken any fiction. Fiction is tough and everyone knows it. But now I was going to get my chance, and what better way to start than on my own book? When The Cliffhanger hit the #1 spot on Amazon it was no accident, it was a creative push that got it to #1 and ironically, the pitch that prompted this Amazon soar had nothing to do with the book. Curious? Then read on.
When I was first pushing The Cliffhanger I did all the things a good fiction author is supposed to do. I sent out review copies, created a stunning press release, scheduled book events. All of these things were great, but they didn’t give it the momentum the book really needed to succeed. The book signings were good, but a tad boring, the press was interested, but not enough to feature me more than once. I knew I needed to do something, but let’s face it, when you’re writing romance it’s tough to find a pitch that has the stickiness to it to, well, stick. When you’re taking a fiction book to market you need to have more to hang your star on than a groovy story &ndash you need something the media can sink their teeth into, you need grit. That ‘grit’ is the reality piece of your story.
The truth is there’s always a thread of reality that weaves through each piece of fiction. Find your reality and own it, if need be, craft your pitch around it. Let’s say you wrote a book about a woman overcoming domestic abuse. You’ve done your research, you know the stats, in fact, you might even be considered an expert. Why not then turn a portion of your campaign into a domestic violence pitch? The same can be said for just about anything. They key here is to find that grain of reality and see if it’s interesting enough to create a new peg. Once you’ve found your hook, own it. What I mean is become the expert on that hook and familiarize yourself with ever statistic, every study and every new trend.
When The Cliffhanger was released I soon realized that marketing romantic fiction was only going to take me so far, but marketing the method of printing was more unique. Why? Well, The Cliffhanger was one of the first books in the San Diego area to be published via print-on-demand. Hence, that became my story. Until the Presidential race of 2000. Now that was an entirely different story.
No doubt many of you will remember the counts, recounts, chads, and hanging chads, right? Well, one morning I woke up to find our local paper with the following headline: “Cliffhanger.” I knew right then that if I couldn’t find a hook to hang my star on that angle, I might as well hang up my marketing hat forever. It was at 3 a.m. that I woke up with an idea so stunning, I knew it had to work. I raced out to the office supply store the minute it opened to pick up several packs of clear labels. I got out the postcards I had printed with the book cover on them and stuck on labels with the following slogan:
Getting tired of the Presidential cliffhanger?
Try this one.
The Cliffhanger, a novel.
No politics involved.
I mailed 500 postcards out that day while praying the election wouldn’t get called. I mailed these postcards to everyone in the media I’d ever contacted. Ever!
Days after my mass-mailing, I was walking through my living room, when suddenly I spotted my book cover on the screen. I was stunned. The local TV anchor was saying, “This has got to be the best thing I’ve ever seen. This lady wants you to go buy her book. I say everyone should rush out and buy it.” And everyone did. That afternoon my book shot up to the #1 spot on Amazon, where it stayed for three months. It even beat out Harry Potter (which was #4 at that time), yet Harry got the movie. Go figure.
The point is that finding an “anchor” will help you push your campaign. This works for book events, too. If you’ve written a crime book, why not “theme” your event with DO NOT CROSS Police line tape (if you can get your hands on it) or some other prop? The key is to be unique, carry your theme throughout your marketing and hang your star on unique ways to promote your book.
But the second piece of this, the piece that’s become all the rage recently, is the visual aspect of your book. Now I’m not talking about the cover, I’m talking about the movie. Yes, you read right. Your book, a movie. Now I’m not talking about a full-blown two hour motion picture. I’m talking about a movie trailer. Most recently several major publishers have started using book trailers to promote the fiction books they publish. Why? Because we are a very visual society, and if you’re trying to distill the core of your book into a thirty-second elevator pitch, why not distill that same information into a trailer? Studies have shown that book trailers can increase book sales in excess of 30%. This is why most of the major publishers are jumping on the book trailer bandwagon. Still not convinced? Check out this book trailer of Candlewood Lake and see if it doesn’t entice you to buy the book:
.authors-online.com/billboards/drivein/candlewood/index.html
Now here’s a short list of tricks we’ve used to promote fiction:
* For a series of detective novels we worked with, we told the author that instead of pitching the book, we were going to pitch some of the intriguing unsolved mysteries. He became the unsolved mystery expert and when he did a book event, that’s what he talked about. People were enthralled, and it also got him quite a bit of radio, too!
* For a chick lit book last year the author had one of her recipes (for Orgasmic cookies) come to life when she partnered with a local cookie company. The result? We had people writing us for copies of the book just so they could try this fabulous cookie.
* And what better place for a romance reading than a romantic winery? If you live near some wineries, don’t hesitate to stop by there and ask if they’d like to invite you in for a reading.
Have you ever considered partnering with another author who has a similar title? Last year, I consulted with two authors who’d written books about Paris. I decided they might want to meet and partner up for events. They did, and the result was magnifique! Everyone loved the “evening in Paris” they’d created, and needless to say, they got lots of bookings!
The trick is, with all the fiction out there, you have to find a way to be different. Selling the story isn’t always going to sell your book, but entertaining the reader or selling how the story affects the reader or how it can benefit them will. Find your anchor, hook, or story &ndash and you’ve found an audience.
Becoming a marketing story-teller isn’t as hard as some people make it out to be, and whoever said fiction can’t be marketed just didn’t know how to tell a great story.